A familiar feud in Ghana’s music industry has reignited, drawing headlines and heated reactions. Prominent music producer MOG Beatz has publicly accused dancehall superstar Shatta Wale of exploiting his intellectual property—allegations that include using beats without consent to secure advance payments from an international company.
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According to MOG Beatz, these proceeds were used to purchase luxury items like a Rolls-Royce and Lamborghini, effectively “flexing” wealth at the expense of fellow producers.
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The Accusation: Unpaid Beats, Fraud Allegations and Asset Flaunting
In a scathing online statement, MOG Beatz accused Shatta Wale of falsely claiming production credits on several tracks created by him and other producers. The Ghanaian beatmaker alleges these credits were used to deceive a foreign company into tipping advance payments—without honoring proper agreements or compensating producers.
“You scammed an international company using my intellectual property because you wanna buy expensive cars to ‘flex’ on your colleagues?? Old man, you’ll regret touching my work,” MOG wrote.
MOG further asserted that two Shatta Wale albums have already been removed from streaming platforms due to copyright infringements, and warned more removals are imminent. “Sell your assets and refund the company you scammed,” he demanded, promising to escalate the matter if no action is taken.
The Counterattack: Shatta Wale Fires Back
The allegations did not go unanswered. Shatta Wale took to social media to deliver a blistering response, calling MOG Beatz “foolish” and “ungrateful.” He reminded the producer of past favors—claiming he had supported MOG during his mother’s medical crisis and helped fund studio gear—and accused him of turning against him once he achieved success.
“Very foolish boy! When I was paying for your mother’s eye treatment… that was scam, right? Come face me man-to-man if you can. Ungrateful pig!” Shatta Wale said.
Despite the harsh tone, the artist sarcastically “thanked” MOG for bringing attention to his success. “That’s exactly what I needed—music money, not scam money,” he quipped, suggesting the allegations inadvertently boosted his public profile.
Long-Standing Conflict and Ongoing Tensions
This latest clash is only the latest chapter in a years-long dispute between the two. Their professional relationship has seen several ruptures—from unpaid production credits on Shatta Wale’s “Reign” album to legal disputes over composition ownership. MOG previously claimed that he produced 10 songs on that album but never received appropriate payment.
These recurring tensions have deepened distrust between producer and artist and intensified debates about transparency and ethics in Ghana’s music scene.
Legal Implications and Industry Impact
At the heart of this feud lies a broader issue: the importance of honoring intellectual property rights in music. If MOG decides to pursue legal action, he could argue for copyright violations and contract breaches. The removal of Shatta Wale’s material from platforms signals some level of legitimacy to MOG’s claims.
These developments could prompt streaming services and foreign partners to demand more rigorous proof of rights clearance for Ghanaian music—a shift that might benefit producers and secure more professional accountability across the industry.
Public Reaction and Industry Stakes
Fans and stakeholders have responded with a mix of shock, cynicism, and support. Many view MOG’s bold accusations as overdue accountability, while others back Shatta Wale’s narrative of loyalty and repayment. Social media is awash with debate, with many artists and producers weighing in on creative rights and ethical treatment in collaborative works.
The fallout from this dispute may trigger systemic changes. Producers might adopt stricter contracts and insist on formal agreements before sharing work. Artists, in turn, may be more cautious in crediting production roles, especially in high-profile or outsourced projects.
As tensions simmer, the industry will be watching:
- Will MOG pursue legal enforcement or public pressure to reclaim credit and compensation rights?
- Could additional producers step forward with similar complaints against other artists?
- Will streaming platforms and labels respond with policy reviews or enhanced content validation?
- Might this spark a broader push for producer protection and creative rights advocacy in Ghana and beyond?
